მუსიკალური ნაწარმოების ლიცენზირება აუდიოვიზუალურ ნაწარმოებში ჩართვის მიზნით
DOI:
https://doi.org/10.52340/jo.2023.01.06.01საკვანძო სიტყვები:
Music Licensing, Synchronization, Intellectual Property, Copyright, Musical Work, Audiovisual Workანოტაცია
Continuous expansion of the music industry has greatly increased the commercial aspect of music, which naturally leads to legislative changes. This article examines the positive results of the author’s creative endeavors, specifically musical and audiovisual works. The primary objective is to identify legal challenges related to the inclusion of a musical work in an audiovisual work, as well as practical and topical issues.
The paper focuses on the aspects of licensing of musical works, namely identifying persons (natural/legal) who can hold the right to a particular musical work and how licensing is done for inclusion in an audiovisual work as well as what is the important
factor that is necessary to determine the royalty for music synchronization.
წყაროები
გაბუნიად., თაქთაქიშვილიგ., საერთაშორისოსაავტოროსამართალი, წ. I, საქართველოს ინტელექტუალური საკუთრების ეროვნული ცენტრი საქპატენტი, 2016 [Gabunia. d. , taktakishvili , g. , saertashorisosaavt’orosamartali, ts’. I, sakartvelos int’elekt’ualuri sak’utrebis erovnuli tsent’ri sakp’at’ent’i, 2016]
ლიტერატურისა და ხელოვნების ნაწარმოების დაცვის შესახებ“ ბერნის კონვენცია [Lit’erat’urisa da khelovnebis nats’armoebis datsvis shesakheb“ bernis k’onventsia]
საავტორო და მომიჯნავე უფლებების შესახებ“ საქართველოს კანონი [Saavt’oro da momijnave uplebebis shesakheb“ sakartvelos k’anoni]
სინრაიქი ა., ინტელექტუალური საკუთრება პოპულარული გზამკვლევი, რ. ხატიაშვილისა და ნ. მანჩხაშვილის თარგმანი, მ. ბაქრაძის რედაქტორობით, თბილისი, 2022 [Sinraiki a. , int’elekt’ualuri sak’utreba p’op’ularuli gzamk’vlevi, translator r. Khat’iashvilisa da n. Manchkhashvili, editor m. Bakradzis redakt’orobit, tbilisi, 2022]
ძამუკაშვილი დ., ინტელექტუალური საკუთრების სამართალი, მე-2 გამოცემა, თბილისი, 2006,
Anaivoson H., Iglesias M., Vondracek A., The Costs of Licensing for Online Music Services: An Explanatory Analysis for European Services, Michigan State University College of Law International Law Review, Vol. 21, No. 3, 2013
Baloyi J.J., The Role of Technology in the Historical Development of the Reproduction Right in Musical Works, Fundamina, Vol. 26, No. 2, 2020,
Beridze I., Georgian VIAs Between Submission and Subversion, Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, No. 13. 2021
Brabec J., Brabec T., Music, Money and Success the insider’s Guide to Making Money in the Music Business, 7th Ed., New Yourk, 2011.
Buffalo Broadcasting Co., Inc. v. American Soc. of Composers, Authors and Publishers, s. 7, 18 September 1984. 99 Decision No. 29811 of 12 December 2017 of the Supreme Court of Italy.
Clark C.E., Licenses in Real Property Law, Columbia Law Review, Vol. 21, No. 8, 1921.
Copyright and the Music Marketplace, A Report of the Register of Copyrights, United States Copyright Office, 2015.
Code de la propriété intellectuelle, France,
Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the Harmonisation of Certain Aspects of Copyright and Related Rights in the Information Society
Directive 2014/26/EU of the European Parliament and of the Council of 26 February 2014 on Collective Management of Copyright and Related Rights and Multi-territorial Licensing of Rights
Directive (EU) 2019/790 of the European Parliament and of the Council of 17 April 2019 on Copyright and Related Rights in the Digital Single Market and Amending Directives 96/9/EC and 2001/29/EC
Despringre C., Dormer S., Audiovisual Authors’ Rights and Renumeration in Europe, SAA White Paper, 2011
Dreier T., Karnell G.W.G., Originality of the Copyrighted Work: A European Perspective, Journal of the Copyright Society of the U.S.A., Vol. 39, No. 4, 1992
Goncalves L.R., Mechanical Licenses for Video Games, American University Intellectual Property Brief, Vol. 14, No. 1, 2022.
Goodyear M.P., Synchronizing Copyright and Technology: A New Paradigm for Sync Rights, Missouri Law Review, Vol. 87, No. 1, 2022
Goodyear M.P., Synchronizing Copyright and Technology: A New Paradigm for Sync Rights, Missouri Law Review, Vol. 87, No. 1, 2022
Gammons H., The Art of Music Publishing, An Entrepreneurial Guide to Publishing and Copyright for the Music, Film and Media Industries, Oxford University Press, 2011, 105Huber J., Yeh B.T., Copyright Licensing in Music Distribution, Reproduction, and Public Performance, CRS Report for Congress, 2006
Gemmel R.J., New Use and the Music Licensing Agreement, Thomas Jefferson Law Review, Vol. 22, No. 2, 2000. Imfeld C., Ekstrand V.S., The Music Industry and the Legislative Development of the Digital Millennium Copyright Act’s Online Service Provide Provision, Communication Law and Policy, Vol. 10, No. 3, 2005
Islam A.; Leshkova Zelenkovka S., Music as a Vital Factor for the Continuity of the Cultural Identity, Review of European Studies, Vol. 7, No. 12, 2015
Kushnir V., Legal and Practical Aspects of Music Licensing for Motion Pictures, Vanderbilt Journal of Entertainment and Technology Law, Vol. 8, No. 1, 2005
Livingston M.; Urbinato J., Copyright Infringement of Music: Determining Whether What Sounds Alike Is Alike, Vanderbilt Journal of Entertainment and Technology Law, Vol. 15, No. 2, 2013
Musical Works for Online Use in the Internal Marketthors and Performers in Art.18 Copyright in the Digital Single Market Wipo Guide on the Licensing of Copyright and Related Rights, World Intellectual Property Organization, 2004
Nicolas P., Harmonizing Music Theory and Music Law, Iowa Law Review, Vol. 108, No. 3, 2023
Peter M., What They’ll Never Tell You about the Music Business, 3rd Ed., Watson-Guptill, 2016.
Patterson L.R., Copyright and the Exclusive Right of Authors, Journal of Intellectual Proper ty Law, Vol. 1, No. 1, 1993
Pitt I.L., Direct Licensing and the Music Industry How Technology, Innovation and Competition Reshaped Copyright Licensing, Springer, 2015,
Reed M., Harmonizing the Linear Notes: How the USCO’s Adoption of Metadata Standards Will Improve the Efficiency of Licensing Agreements for Audiovisual Works, Chicago-Kent Journal of Intellectual Property, Vol. 18, No. 1, 2019
Richard D.M., Music Licensing 101: A Nuts and Bolts Guide for Filmmakers, Television Producers, Music Publishers, and Songwriters, Entertainment and Sports Lawyer, Vol. 29, No. 4, 2012,
Ranaivoson H., Iglesias M., Vondracek A., The Costs of Licensing for Online Music Services: An Explanatory Analysis for European Services, Michigan State University College of Law International Law Review, Vol. 21, No. 3, 2013
Robley C., Sync Licensing and Placements, 2021, იხ. [10.07.2023]
Schwab J.L., Audiovisual Works and the Work for Hire Doctrine in the Internet Age, Colum bia Journal of Law & the Arts, Vol. 35, No. 1, 2011.
Stim R., Patent, Copyright & Trademark, An Intellectual Property Desk Reference, 15th Ed., NOLO, 2018
Stim R., Patent, Copyright & Trademark, 9th Ed., Nolo, 2007
Thorne R., The Internationalization of Music Publishing, Whittier Law Review, Vol. 17, No. 2, 1995.
White-Smith Music Publishing Company v. Apollo Company, 209 U.S. 1 (1908)
Xalabarder R., The Principle of Appropriate and Proportionate Remuneration for Authors and Performers in Art.18 Copyright in the Digital Single Market Directive Statutory Residual Remuneration Rights for Its Effective National Implementation, InDret Privado, Vol. 4, 2020
ჩამოტვირთვები
გამოქვეყნებული
როგორ უნდა ციტირება
გამოცემა
სექცია
ლიცენზია
საავტორო უფლებები (c) 2023 Oliko Kobakhidze
ეს ნამუშევარი ლიცენზირებულია Creative Commons Attribution-ShareAlike 4.0 საერთაშორისო ლიცენზიით .
