Zakaria Paliashvili’s „Mass“ and the Catholic Church

Abstract

The Mass is a polyphonic, cyclical choral composition based on the Catholic liturgy, developed into multiple movements in the 14th century. Its principal sections include Kyrie (Lord, have mercy), Gloria (Glory), Credo (Believer), Sanctus (Holy), Benedictus (Blessed is the future), and Agnus Dei (Lamb of God). This tradition is rare in Georgian music history, as only one piece is called
the Holy Mass. Building on this tradition, the 19th and 20th centuries mark a renaissance for Georgian culture, with Zakaria Paliashvili playing a major role. His work stands as a key achievement of Georgian national culture.
Within this cultural context, Zakaria Paliashvili’s Mass, composed early in his career, is unique in Georgian music. The report details the factors that shaped Paliashvili’s life and work, with particular emphasis on how elements of the Catholic Mass—its structure, themes, and musical traditions—shaped his spirituality and creative approach. This is important for understanding both
his art and the diversity and tolerance in Georgian culture. Studying Georgia’s history is incomplete without considering the impact of Catholic communities in the region.